I’ve been obsessed with tagliatelle all this week. Lusting after it. The reason is the re-reading of Anna Del Conte’s lovely memoir-with-recipes Risotto with Nettles which – unusually for me – I’ve actually been cooking from. Her deceptively simple prose whisks the reader to a different time, a different place, a different age, that of well-to-do pre-war Milan, where women spent most of their time either shopping for food, making the food or discussing the food.
It happens that I’m reading this just after Matt’s return from Bolzano in north Italy, where he spent a few days for work. (I spent most of January solo-parenting whilst he fabricated the Sonia Boyce exhibition at Eastside Projects, then went to Italy, then was in Cambridge. And no, I was not happy about it.) Knowing that the goodwill of one’s spouse is essential to a successful career, Matt did a wise thing and brought back a bulging bag of Italian goodies: speck, salami, noisette, parmesan, pickled vegetables, sunflower bread, Milka (not Italian but still food of the Gods) and, for proper sucking up, a heart-shaped box of Ferrero Rocher. The eagle-eyed may notice that the writing on the speck and salami labels is Germanic, this a cultural hangover from the various periods of history when the Tyrol was in German hands.
So when I came across Del Conte’s recipe for Taglietelle with prosciutto and peas, and I realised that I actually had proper Italian bacon in the house, and proper Italian parmesan (the stuff over there is a world away from the pre-packaged stuff in the supermarkets over here), I gave it a go. And I liked it so much that I made it for Harry’s tea the following day. And then again for MY dinner the following day. It is simply tagliatelle tossed with very finely diced onion that has been stewed in butter, matchsticks of prosciutto (speck), peas, a dollop of cream, parmesan, salt and pepper. A ladle of pasta water brings the dish together into silky mass. Simple, but beautiful, and a reminder of just how good Italian food can be when the ingredients are of perfect quality.
It makes me think how different the Italian approach to food is to that of the British. Another of her recipes, Crostata di marmellata di fichi (or Fig jam tart), is a masterclass of perfection in simplicity. Jam tart carries a very particular meaning for the English. For me, it has traditionally meant a basic shortcrust, made without sugar and with half Stork margarine, half vegetable shortening, rolled into a plate pie dish, filled with raspberry or maybe mixed fruit jam (always homemade), topped with a thin lattice, then baked until golden or even slightly over done, meaning the jam is often chewy. It’s everyday food, nothing fancy, the stuff of Enid Blyton and childhood.
The Italian crostata is a different being. Anna’s is a pate sucre dough, made with butter, enriched with egg yolk and sugar, and delicately seasoned with lemon zest, and so it becomes biscuit-like in the oven. This is a pastry so rich and delicate that it needn’t even be rolled, but can be pressed into the tin with fingers. The lattice top spreads in the oven to become closely linked, meaning the filling is almost entirely enclosed apart from tantalising nuggets of bubbling fruit that escape from between the gaps. It feels indulgent and yet…it’s just a jam tart.
Anna’s recipe uses fig jam, but given that figs are not forthcoming on an English allotment, I used last summer’s strawberry and redcurrant preserve, loose set, fresh-tasting and vibrantly coloured. The same pastry could easily be filled with stewed apple, plum or soft fruit. Incidentally, she strongly asserts, quite rightly, to eat this on the day that it is made, but also that it should be eaten without cream. This is a step too far for this Englishwoman: plain ice cream on the side for me, please.
Crostata (Jam Tart)
Adapted from Anna Del Conte’s Risotto with Nettles, p99
225g plain flour (she uses 00 but I used regular plain flour)
1/2tsp fine salt
100g caster sugar
grated zest of half a lemon
120g cold unsalted butter
2 large free-range egg yolks
350g jam or other fruit filling
juice of half a lemon
1 egg yolk and splash of milk, for glazing (optional)
To make the pastry, whizz the flour, salt, sugar, lemon and butter in the food processor until fine. Pulse in the egg yolks and sufficient milk to make a ball. Wrap and place in the fridge to firm up for at least 30 minutes, preferably longer.
Preheat the oven to 200c. Grease a 8 or 9 inch tart tin with a loose bottom and sprinkle with a little flour, shaking off the excess.
Remove about one third of the dough and roll the rest out into a circle, about the depth of a pound coin, and use to line the base of your tin. If this is tricky, you can take lumps and simply press it into the sides of the tin, ensuring that there are no gaps and that the pastry is even. Make sure the pastry is pressed firmly down between the base and the side.
Mix the jam with the lemon juice and pile it into the tart case, spreading it out evenly.
Roll out the remaining dough and cut into strips about 1-2cm thick, then place the strips quite closely together in a lattice format over the tart (they will spread a little in the oven). If you wish, brush the pastry with a glaze made of egg yolk mixed with a little milk.
Bake for 10 minutes at 200c then turn the heat down to 180c and bake for 20 minutes, until the pastry is golden and biscuit coloured. Leave to cool in the tin before serving at room temperature.
Also this week:
Cooking and eating: Tagliatelle with prosciutto and peas, or did I mention that already?; Rogan josh made with goat from the butchers on Bearwood High St, with a good saag aloo and some terrible chapatti; lots of blush oranges whilst they’re in season, including blush orange bellinis; apple cake with whipped cream at Ikea. Harry’s really into what he calls ‘cold cheese’, which is cream cheese, but I like his name better.
Reading: Gave up on the Jilly Cooper, she’s not for me. Also tried, and gave up on, Walden…there are too many grumpy men in the world as it is without reading their work at bedtime. So Anna Del Conte is providing respite, plus I am dipping into the re-print of Dick Strawbridge’s book about sustainable living.
Also: Attended Writing West Midlands course Starting to Write, which was fun if only to see the characters who go on a writing course on a stormy Saturday in February. It feels good, after 2 and a half years of constant work/parenting, to find little notches of space for creativity. Also our two expensive new windows were finally fitted, and the house has warmed from Positively Arctic to merely needing only one jumper. Only six more windows, a kitchen, the shed, the utility room, the bathroom and my office still to do.